![]() Thesis (M.A.)-University of Windsor (Canada), 1995. (Abstract shortened by UMI.) Source: Masters Abstracts International, Volume: 34-02, page: 0535. Allowing for the absent maternal presence in Hesperides, this paradigm of erotic triangulation provides a basis for the contradictory nature of the misogyny in Hesperides-the maternal figure is both longed for and unavailable, the male child's first love and a primary reminder of castration. Through an examination of the psychological patterns of the voyeurism and fetishism in Herrick's love poetry a paradigm of triangulation emerges. Though ostensibly concerned with woman as an erotic object, the amorous poems enact strategies of avoidance and displacement which express the same horror toward the feminine seen in the coarse epigrams. The latent misogyny in Hesperides is concealed in the amorous poetry. This grotesque body can, in turn, be related to a maternal figure. Centered on the grotesque female body, Herrick's vulgar epigrams display his overt misogyny. ![]() Hesperides is a concentrated example, as it were, of well established literary paradigms of misogyny and the cultural paradigms of misogyny seen in the querelle des femmes. Though the ostensible concern of these texts is the female role within the family and society, an idiom of sexuality is established through an emphasis on the female body. This theme is the sole message of To the Virgins, to make much of. In the documents of the querelle des femmes women are discussed in their various social roles: mother, wife, and daughter. Les avis ne sont pas valids, mais Google recherche et supprime. Herrick is the foremost English poetic heir to the classical elegists and their recurrent theme, carpe diem, or seize the day. This Renaissance preoccupation with the feminine, in turn, displays both a blatant and latent cultural misogyny. Indeed, the presentation of women in Hesperides reflects a larger cultural preoccupation with the feminine seen in Renaissance literature in general and in the cultural documents of the querelle des femmes (1540-1648) in particular. More by Robert Herrick To Blossoms Fair pledges of a fruitful tree, Why do ye fall so fast Your date is not so past, But you may stay yet here awhile To blush and gently smile, And go at last. Robert Herrick's Hesperides is a volume of poetry preoccupied with the feminine. Born in August 1591, Robert Herrick was the author of Hesperides or, the Works Both Human and Divine of Robert Herrick, Esq.
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